Avoiding Clichés in Funny Wartime Romance Writing

When you sit down to write a funny wartime romance, the temptation to fall back on familiar tropes can be overwhelming. Whether it’s the noble soldier, the brave nurse, or the classic love triangle amid the chaos of war, these clichés in funny wartime romance are all too easy to rely on.
However, if you want to craft a truly engaging and original story, it’s essential to look beyond these clichés and explore fresh and innovative ways to approach your narrative.
A humorous story about reaching maturity adds complexity to the characters and enriches their journey. While humor can provide a much-needed escape from the horrors of war, it’s crucial to balance it with moments of growth and self-discovery. This not only makes the love story more authentic but also allows readers to connect more deeply with the characters.
As the characters mature and evolve, their love story becomes less about the external conflict of war and more about their internal emotional growth.
Clichés in Funny Wartime Romance: What Are They and How Do You Avoid Them?
Wartime romance, particularly in the setting of World War I, offers a rich backdrop for storytelling. However, many writers, especially beginners, often find themselves resorting to clichés in funny wartime romance. These overused scenarios can make the story feel predictable and shallow. Common clichés include the charming soldier who falls for a nurse, the damsel in distress, and the overly dramatic love triangle.
But how do you avoid clichés in a funny wartime romance? The first step is recognizing them. If your characters’ romance feels like something you’ve seen a hundred times before, then it’s likely you’re using a cliché. Instead of leaning into these tired tropes, try to develop more original characters and situations.
Create characters who are more than just one-dimensional figures placed in a traditional love story mold. Focus on their personalities, flaws, and strengths. Let their relationship develop organically, without forcing them into stereotypical roles.
The goal is to craft a love story that feels unique, vibrant, and real. By avoiding clichés in funny wartime romance, you can ensure that your readers are engaged from start to finish.
How to Bring Freshness to Your Funny Wartime Romance
Avoiding clichés in funny wartime romance doesn’t mean you have to shy away from humor. In fact, humor can be an incredibly effective tool when used correctly. The key is to make sure your humor doesn’t undermine the emotional depth of the story. Instead of relying on slapstick jokes or exaggerated characters, let the humor come from the characters themselves. Use wit, irony, and sharp dialogue to reflect their personalities and the absurdities of the world around them.

A great way to inject freshness into your story is by taking unique approaches to wartime love. For example, rather than having the characters fall in love at first sight or rushing them into a dramatic moment of passion, let their relationship unfold naturally over time. Perhaps they don’t immediately get along, but through shared experiences, they begin to understand each other better. The humor could come from their interactions, from their differences, or even from the chaos of the war itself.
Think about how the setting affects their relationship. In danger, humor can be a way for the characters to cope with the stress and uncertainty of war. Perhaps they find comfort in each other’s quirks or share an inside joke that becomes their bond in the darkest of times. This approach not only avoids clichés but also builds a stronger, more meaningful connection between the characters.
Writing Fresh Wartime Love Scenes
When writing love scenes in wartime romance, the key is to avoid making them feel like a checkbox. You know the kind of scene I’m talking about—the one where the soldier and the nurse stare into each other’s eyes, and the next thing you know, they’re in each other’s arms. While these scenes may have their place, they can quickly become stale if they’re not written with care and originality.
Instead, focus on writing fresh wartime love scenes that reflect the reality of war. In a setting like World War I, emotions are heightened, and every moment feels like it could be your last. Love is not just about passion; it’s about trust, vulnerability, and shared experience. So, when your characters connect, make it count. Their love should be a result of what they’ve been through together, not just a plot device.
Consider the quieter moments, too. Maybe your characters share a laugh amid an air raid or steal a tender moment during a lull in the fighting. These moments of levity can be just as powerful as the dramatic, passionate scenes. When written with care, these moments can reveal a lot about the characters and their relationship.
Humor in Historical Love Stories: A Delicate Balance
Humor has always played a role in historical love stories, but it can be tricky to get right. In the case of World War I, the horrors of war are ever-present, and humor should never feel forced or disrespectful. Instead, use humor to highlight the absurdity of the situation or to showcase the characters’ resilience. In DICK AND JANE GO TO WAR by Stephen Lloyd Auslender, humor often arises from the characters’ ability to navigate difficult circumstances with grace, wit, and occasional levity.
Humor in historical love stories works best when it’s grounded in the reality of the period. It should reflect the cultural norms, social dynamics, and struggles of the characters. In DICK AND JANE GO TO WAR, for example, the humorous moments aren’t just for comedic effect; they serve to highlight the absurdity of the war, the unexpected alliances, and the peculiar adventures that Reginald and Vivian find themselves on.
By using humor in a way that feels true to the period, you can create a love story that is both touching and funny. This helps avoid clichés in funny wartime romance, making the story more engaging and meaningful.
Creative Wartime Love Plots That Break the Mold
When thinking about creative wartime love plots, consider moving away from the traditional narrative. Instead of focusing on love triangles or a predictable pairing of soldier and nurse, explore other aspects of wartime life. How do the characters cope with the challenges they face? What unusual situations bring them closer together? These creative plots allow you to build a love story that feels fresh and exciting, while still paying homage to the historical setting.
For example, in DICK AND JANE GO TO WAR, Reginald and Vivian’s love story is far from ordinary. Their relationship begins at the 1908 Paris Air Show, and they become lovers amid World War I. After the war ends, their adventures continue in unexpected ways, including flying onto a mesa inhabited by a technologically advanced native tribe and encountering a ghost squadron of dead pilots. These unique events push their relationship to new heights, and the humor that arises from these situations feels authentic rather than forced.

By incorporating unexpected twists and creative scenarios into your plot, you can create a wartime romance that stands out and avoids the typical clichés in funny wartime romance.
Final Thoughts
Avoiding clichés in funny wartime romance can be challenging, but it’s also gratifying. By focusing on character depth, fresh scenarios, and authentic humor, you can craft a love story that feels both engaging and meaningful. DICK AND JANE GO TO WAR is a perfect example of how to do this. The book’s unique take on wartime romance, filled with humor and unexpected adventures, is a breath of fresh air in a genre often bogged down by clichés.
If you’re ready for a humorous and heartwarming adventure that breaks away from the typical wartime romance, grab your copy of DICK AND JANE GO TO WAR today. Follow Reginald and Vivian as they navigate love, war, and everything in between, all while keeping the humor alive.

Stephen Lloyd Auslender
I'm Stephen Lloyd Auslender, a sculptor and mechanical designer with a background in industrial design and a Ph.D. in creative arts. I've spent over 50 years teaching and creating, blending comedy and tragedy in my work.
